Bob Marley with Kate Simon, photographer, 1977 |
Kevin McDonald’s new film, Marley, about Bob Marley’s life
highlights the incredible journey of this unlikely global icon. He started off life in a shack without electricity, one outfit and pair of shoes. If we look at
it through a branding lens we see his move from ska music, which was about fun and
dancing, to creating reggae, which was more spiritual. Chris Blackwell from
Island Records then launched him worldwide under the guise of ‘black rock’
in the early ’70s- 'Catch A Fire' album. This built on the following Jimi Hendrix and others had.
Marley’s music, once at Island, had to become less political and certain
members of the Wailers left, like Pete Tosh, because he didn’t like Blackwell.
It must’ve been hard to surrender to the White Man given their Rasta politics,
although Marley was half- White (English) and wanted all races to live in
harmony through music. Blackwell, incidentally is also Exec Producer of the
film.
The Rastas have a belief that a certain type of
music will be listened to around the word because all people can tap into its
spirituality. And they see this as Bob Marley’s music today.
Marley’s music, surprisingly, didn’t break into
African American audiences in the US in his lifetime, though he had a huge
following amongst White audiences there. The last performance of his life was
supporting the Commodores in an attempt to get to exactly those audiences,
though in reality he should’ve been the main act rather than the support. In parts of Africa, they loved him. The film shows an incredible performance in ‘Rhodesia’
on the night of their independence with Mugabe being sworn in and also in
Gabon, where the dictator’s daughter fell in love with him.
The way Marley’s music has traveled now is
almost a cliché of itself- every beach hang out plays it, but does it still
have a revolutionary aspect to it? Listeners of reggae are full of peace and
love which certainly can change the world on a local level. It’s unfortunate
that the spliff smokers ‘brand’ is that of a lay-about and non-doer. But as
with most clichés it’s important to remember why they became so- Marley was
crucially important in Jamaica as someone who discussed politics and gave money
to those who would queue outside his home in Kingston every day. He was brought
back from exile in London by the Jamaican government specifically to unite the races in
Jamaica. And all this before he was 36 years old, when he died of cancer. He
was definitely a doer.
How his anti-capitalist brand lives on
Marley now ranks in the top five dead celebrities
in terms of dollar earnings, according to Sanjay Sood, a UCLA marketing
professor. The others being Michael Jackson, Elvis, Marlyn Monroe, Andy Warhol. Marley's family including his legendary number of children from different
mothers, manage his brand cleverly, which stands for positive nature. The
brand values are reggae music, hope, redemption and social justice. Some
new merchandising include headphones made of recycled plastic and
sustainable wood and 'Mellow Mood' herbal drinks to chill out, to counter the Red Bull energy
phenomenon. "There were too many hyper people running around in the world", says
Marley's daughter Cedella.
Source: The Billion Dollar Rasta by Reed Tucker.
http://bit.ly/IjtCQZ
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